The name "Malay" is derived from the Malay kingdom that never existed in the area of Sungai Batang Hari, Jambi. In the process, Royal Malay finally subdued and subordinate kingdom of Srivijaya. Use
of the term Malay-even extends to the outside of Sumatra, following
territorial Srivijaya empire that grew to Java, Borneo and the Malay
Peninsula. So people came from Sumatra Malay Peninsula.Based
on the inscriptions puck Copper Laguna, Malay traders have to trade in
the entire region of Southeast Asia, also participated bring culture and
Malay customs in the region. Malay
eventually became the lingua franca replace Sanskerta.Era language
heyday Sriwijaya is a golden period for the Malay civilization,
including during the Sailendra dynasty in Java, followed by Dharmasraya
kingdom until the 14th century, and continues to grow in the Sultanate
of Malacca before this kingdom conquered by the power of the Portuguese army in 1511.The entry of Islam into the archipelago in the 12th century, is well absorbed by the Malay community. Islamization occurs not only among ordinary people, but has featured government Malay kingdoms. Among
these kingdoms are the Johor Sultanate, the Sultanate of Perak, Pahang
Sultanate, the Sultanate of Brunei, and the Sultanate of Siak. The
arrival of European colonialists had caused terdiasporanya Malay people
all over the archipelago, Sri Lanka, and South Africa. Overseas, they fill many posts like being syahbandar kingdom, scholars, and judges.In the next, almost the entire archipelago gain direct influence from the Malays. Malay which has developed and is used by many people Nusantara,
finally was chosen to be the national language of Indonesia, Malaysia,
and Brunei.Dance Serampang Twelveis one of the many dances that evolved under Serdang in Serdang Bedagai (formerly Deli Serdang). This
dance is a kind of traditional dance which is played as a social dance
that contains a message about the trip stories of young people in
finding a mate, ranging from introductory to enter the stage of
marriage. This is one way the community Melayu Deli in teaching procedures for finding a mate to the younger generation. Dance so Serampang Twelve became predilection for young people to
study the processes that will be passed later if you want to build
mahligai household.Name Dance Serampang Twelve formerly known as Pulau Sari Dance. This refers to the title of the song that accompanies the dance, the song Sari Island. This dance was created by Sauti in the 1940s and re-composed between 1950 ?? 1960. Sauti,
who was born in 1903 in Cermin Beach, Serdang Bedagai when creating
Serampang Twelve Dancing was on duty in the Office of the PP & K
North Sumatra province. On
the initiative of the Office of the shelter, Sauti seconded to be a
teacher at the Cultural Bureau Representative in Medan of North Sumatra.
At the time that sauti created some famous dance creations until now includes Tari Serampang Twelve. In addition to dance Serampang Twelve, Sauti also managed to compose
bebarapa another dance, the dance types Triad composed of Dance humming
the song Kuala Deli, Dancing with the song Mak Mak Host Host Kampai
Island, and dance songs with songs Tanjung Dua Katung.At the beginning of its development, Dancing Serampang Twelve should only be performed by men. This
is because the conditions of society at that time forbade women from
appearing in public, let alone her catwalk show of her body. But with the times, where women are able to participate more freely in
all activities, then dance Serampang Twelve then played in pairs
between men and women in the various parties and the amphitheater.Until
now, Dance Serampang Twelve has evolved into several areas in Indonesia
other than North Sumatra, such as Riau, Jambi, Kalimantan, Sulawesi,
even to the Moluccas. In
addition, known and played all over the country, Dancing Serampang
Twelve well-known and often performed in some neighboring countries,
such as Malaysia, Singapore, Thailand, and Hong Kong. Presence Dance Serampang Twelve Sauti this work, received overwhelming response across the country and neighboring countries. Along
with this development, the Regional Government of Serdang Bedagai
beinisiatif to protect the copyright of this dance as assets and wealth
of the area. To support this plan, the local government held a seminar on dance Serampang Twelve. This is done to reintroduce the public about the origin of this dance, so that young people know and understand. In addition, there was also a variety of dance performances Serampang
Twelve races, especially for the people who live in the neighborhood
Serdang Bedagai.Malay houses
is a wooden house or a country house at a time before virtually no stranger to the Malays. But with the population now urbanized, crowded Malay children who no longer know whether the actual form features traditional wooden houses as well as how built without nails.In fact, long before the arrival of outside influence and forefinger moden, the population from the Malay and Orang Asli in Malay Peninsula Land and Sumatra, and the Bumiputra / Natives else in Borneo and other parts of the Malay world already has a system housing a sophisticated, beautiful and harmonious lifestyle and natural surroundings.When the Malays and Orang Asli in Peninsula, Sumatra and other islands usually develop sesebuah house (bungalow style) that is inhabited by a large family; sesetengah tribal leaders of Borneo is more fond of the concept of 'long house' which load the entire village! Ie, every family inhabiting the Courant as 'apartment' which are enumerated on each side, with anjung open before (called 'Ruai' in Sarawak) that connect all the units into a long building.Target material used was taken from natural sources may be renewed, the various types of wood-kayan, also the reed and rattan hinggalah to leaf midrib.Framework or structure houses also use system-penetrating perforation and pegs that do not require nails. Namely coaching Malay clapboard house actually is a system of post-ready. Then the house may also 'ditanggal-open' and in the original post elsewhere, just made by the Malaysian Heritage Board for Home Penghulu Abu Seman, who moved from the land of Kedah to Kuala Lumpur.In addition, the way the built without nails also make the home more springy (flexible), so that it is allowed to be appointed through 'gotong-royong' orangramai and transformed the place.Although the house is really not traditionally use a nail yet, but acknowledged THAT for newer wooden house, there are also elements instead of stuffing wall-like structure using nails.From the point of rekabentuk also, arguably Malay traditional houses highly sophisticated and load characteristics Bistari, again subject to the lifestyle of Glory by custom and nature.The characteristics of smart These include cooling or forced-semulajadi (natural ventilation), shading (shading), safety and security (safety and security) as well as 'kepersendirian' (privacy).Examples of the most striking properties in Malay tradition is that it's home was set on the pole. Various advantages arise from 'keterapungan' this; termasuklah circumvent the easy entry of wild animals, as well as raised from the level of flooding. The house is also cooler due to aeration at all Courant (from the top, and bottom edges). In addition, the empty space under the house (also called 'pods') into a suitable place to store all sorts of goods and utensils.Malay houses also selalunya terbahagi two Courant: the main one called 'house mother' (blessing in honor of the mother's role as manager of the home and family penyeri), while the second portion is the 'home kitchen'. Sequestration is also smart - selalunya fires occur from cooking fires; then if the kitchen on fire, more easily oversee certain sebahagian like house kitchen alone and also reduce the danger of Rumah Ibu flames quickly.If the house needs to be raised, structure 'Central House' also be coupled between the Mother House and Home Kitchen.Additionally, selalunya in front of the house there should be a floor lower portion of cedar Home Moms. It berbumbung but selalunya not walled, fenced only fringe (railings). It was called 'foyer', or 'lobby' at half the places on the East Coast. He became a mediator between the outside and inside the house to sit down to work, beristirehat or receive a guest who does not need to go into the house mother, that does not bother the family.Behind the house is also no 'mediator' which becomes wet or basuhan workplace, the same as the concept of 'work space' or 'work area' for modern apartments and houses.The house tradition was lifted on the pole to add aeration there are also various aperture styles, including the type of casement sependiri as 'French window', in order to enter the wind and light.With the various pieces of carving a hole in the wall not only as an ornament, but also to promote air and light came to cheer the house. Carving in the Malay houses berunsur geometric patterns or plant (no shades of fauna life ban because of religion), and many are very delicate pengukirannya.Tradition tube sealing material, which is woven like a nipa leaf midrib or the roof tiles of clay as it was called precarious 'Senggora' on the East Coast of the Malay Peninsula, also plays the role of soothing home. Unfortunately now this piece preferably zinc-crowded because it is cheap and happy mounted, but causes more berbahang and noisy home also during the rain.Bumbung Malay House was always kind of leaning to the suitability of the rainy weather the hot tropics (no tube flat or shallow), and there are two main categories: style "tube length '(gable) and both' waveguide five 'or' pyramid '(roof shield). Tube length is kind of easier, which is only one perabung forming triangular openings in both the tip that justify the installation of stocking cover the screen.'Bumbung five' is kind of the last five perabung (or also four perabung quick like pyramid structure like cottage waqf). More sophisticated, 'bumbung five' is coupled triangular structure on it and then called 'pyramid' (from the 'five golden' for a first period only house people are or magnifying berbumbung pyramid, and probably first used during the Sultanate of Johor-Riau).Two-two types of tube may give birth to what is nevertheless a combination of tube shapes that may be contemplated, and there is a place that has its own style of the roof like the roof Negeri Sembilan Minangkabau house (a kind of bezaan 'long tube'). Bumbung house tradition must also exist unjuran (overhang / overhangs) to shade from the heat and heavy rains. Along the banks of the tip of the tube is also always fitted bowsprit roof or 'beautiful board' engraved.Sesetengah house there is also a booth inside the hollow tube (ie such as the 'attic', sometimes called the 'attic' or 'Resilience'), Hatta made the house available on the pole was lifted into the house three levels. In fact there has been a long wooden palace which is fostered by about five or six levels, with any structure without a single nail. One beautiful example is the Istana Seri Menanti in Negeri Sembilan, Malaysia as well as in Sumatra, Borneo and Land Bugis, Sulawesi.Unfortunately, the building is as powerful as any of organic materials such as wood can not stand if it is not disenggara tidy. The board then heritage home will disappear without the formation of new original home, more so if the science senibinanya also missing from among the Malays.Most architects / jurubina local, in the draw and the pursuit senibina Western style, tradition built mengendahkan more knowledge. While the science is still capable of long senibina studied to provide advanced further settlement or suitability for life gayakini.MALAY TRADITIONAL MUSIC INSTRUMENTpsalteryPsaltery is a kind of stringed musical instrument that originated from the Middle East. In addition to stringed musical, other stringed instruments from the Middle East is a mandolin. Psaltery is a musical instrument played by plucking. This instrument has a function as a companion Zapin dance and song at the time held a wedding or event syukuran.Gambus is a musical instrument played by plucking. This instrument has a function as a companion Zapin dance and song at the time held a wedding party or celebration.This instrument is identical with songs that Islam breath. In accompanying singers, musical instruments is also accompanied by other instruments, such as Marwas to beautify the rhythm of song. The unique shape such as the shape of fruit squash or gourds (My) makes it easily recognizable. Gambus also considered important in Ghazal singing coming from the Middle East during the Malacca Sultanate. The arrival of the merchants of the Middle East at the Melaka Malay Sultanate era has brought their culture and introduce it to the public at Tanah Melayu.TAMBOURINEA brief history of the origins of musical instruments tambourine - Search arts and cultural dances with the keyword "brief history of the origins of musical instruments tambourine" found in suog.co. To search for information or historical articles in accordance with dances, folk songs, traditional musical instruments, culture, drawing, art, origins, origins, folklore you can write an existing keyword in the search field that is already available. With its growing internet technology, suog.co site strives to provide information relating to the history of the world, especially the arts. Suog.co sites have hundreds of articles art of dance and traditional musical instruments like "A brief history of the origins of musical instruments tambourine" which you make entries or reference materials science you.Photos musical instruments tambourineTambourine is one face that kind of drum used to accompany dances and folk songs, also called Adai-Adai by the community Brunei Malay descent in the area of Papar, Beaufort and Sipitang. Tambourine hit with one hand as well as the techniques used to tambourine contained in other syncretic musical ensemble. Blow tambourines and singing Adai-Adai held to celebrate the feast or welcoming the guest of honor. For the Bajau ethnic group, there is also a kind of tambourine (drum length) having one face. The drum is positioned upright on the floor and beaten by hand. This drum is usually used in the art of music Begins to play a rhythm pattern punch like Kedidi, Ayas and Tidong.In the community Brunei there is also a kind of small drum called drum labik and dombak, a type of drum one face. As for the people who live in Sabah Brunei, drum tambourine often called rempana.The shape of musical instruments tambourineTambourine is a circular drum and flat and made of a circular frame of wood turner. One side quilted goatskin on this part to be patted. Art in Malaysia, Brunei, Indonesia and Singapore are often put on the tambourine is a musical rhythm of the desert, for example, harp, Qasida and hadroh.In the State of Malaysia there is also a large tambourine named Rebana Ubi commonly played on feast days to bring into the sound and rhythm.In the area of south Asia covering Pakistan, India, Bangladesh, Maldives and surrounding areas are also very crowded art tambourine used. But the historical background, a variant of musical instruments and humming a bit much too different.Types of tambourineLarge tambourinePicture a large tambourineTambourine tambourine Great is one of the largest advance ever in the music of the Malay community. Wood or potted type is made of hard wood like merbau (sympetelandra) surface is sized in 80 cm - 100 cm in latitude, stretched with buffalo skin, to produce sound, also called sounding body. Rattan halved used as the primary acoustic material for the process of tightening of the skin and reinforced with wood that also serves as a means of balancing the tone. Painting motivated nature such as flowers tinged with various colors as symbols and aesthetic subtlety. In the context of the offering (the show), tambourine hit directly by the player's hand without using a club, to accompany the song of remembrance, which is the theme of religious messages and also social and cultural messages. Chant of remembrance Tambourine Big submitted chorus, a chorus by tambourine players who usually consists of three players in each group. Large Tambourine offerings are often held to enliven weddings and also welcoming a great day for the people in Kelantan, Malaysia. However, in the Kelantan state there is also a kind of folk music using musical instruments of the tambourine. This term is called Tambourine Ubi. Physically tambourine yam has the same shape as the tambourine large, but smaller in size and uses the same acoustic material in the manufacturing process to manufacture a large tambourine. Frame drum has a hole shaped like a cistern. But the magnitude of the surface has been covered with cowhide as a membrane or sound material. In the context of the offering (the show), potato tambourine hit with a hand or a club which is covered with a soft material such as rope, latex and so on. Yam offerings tambourine held to enliven a wedding or event. In the event, for example a match they will play songs inspired by music repertoire Wayang Kulit Kelantan as well as songs such as the compulsory song Sign Ward and so on. Each group of six players and three tambourines.tambourine bowlFigure tambourine bowlTambourine The bowl is also included in this type of drum that has only one membrane place to hit. Its frame is made from a bowl that is used to collect the milk sap. The bowls are usually made of clay. On the surface covered with several layers of latex as the material sounds using innuendo kaedah rattan and adhesives. To stressful layer of sap that was, two pieces of wood inserted berbaji contrary to the underside of the portion pertaining then be tightened. Berbaji this timber is functioning as a tuning tool with respect to the tambourine as also used for other instruments like the tambourine tambourine yam and so on. Tambourine bowl used to play songs such as the tambourine Ubi's repertoire of music entertainment for the local community. Tambourine is hit with a special piece of wood covered with sap. Tambourine bowl regarded as experimental musical instrument which enter into kategoti other traditional tambourine.Food MalaysLemak rice> Nasi lemak is a dish that is sold in Malaysia, Brunei, Singapore, and Southern Thailand. In Kuala Lumpur, it is called the national dish, the Malaysian national heritage. It is not to be confused with Nasi Dagang sale on the east coast of Malaysia or Terengganu and Kelantan although both of the plate should usually found sold side by side for breakfast. However, because flexibility is Nasi lemak in can be served in a variety of manners, now served and eaten any time of day. There is a similar dish in Indonesia called nasi Uduk.
> Traditionally, this came as a plate of food wrapped in banana leaves, with cucumber slices, small dried anchovies (ikan bilis), peanuts, hard boiled eggs, and hot spicy sauce (sambal) at its core. As the food was more substantial, nasi lemak may also come up with various other accompaniments such as chicken, squid, mussels, stir fry Convolvulus water (water spinach), vegetable pickles (achar), beef rendang (beef boiled in coconut water and spices) or pulmonary (lung ox). Traditionally most spicy accompaniment in nature.
> Nasi lemak is widely eaten in Malaysia, even as the dishes are served in schools Malaysia. Nasi lemak is the usual breakfast dishes, early sale at a roadside stall in Malaysia, where it is often sold wrapped in a letter khabar, brown paper or banana leaves. However, there are restaurants that serve it on a plate for lunch or at night, thus allowing for a dish to be eaten throughout the day. Nasi lemak intend fat steamed hot rice is another name given to nasi lemak served with hot rice.Ingredients:Rice:--Susu coconut--2 Cup rice--3 Pandan leaves--Salt to taste--1 Small tin of coconut milk (5.6 oz size)--Beberapa Water Tamarind juice:--1 Cup water--Asam Pulp (ping pong ball size small)Sambal ikan bilis:--½ Onion--1 Cup ikan bilis (dried anchovies)--1 Cloves garlic--4 Onions--10 Dried chili--1 Teaspoon belacan (shrimp paste)--¼ Tsp salt--1 Tablespoon sugarOther ingredients:--2 Boiled egg (cut in half)--3 Small fish (sardines or smelling of fish)--1 Small cucumber (cut and then four)Ways to make it:Wash and tariskan nasi.Tambahkan coconut milk, a little salt and water.Add pandan leaves into the rice and cooking rice.Rinse and drain the water dried anchovies.Fried anchovies so they turned brown and set aside.Mashed shrimp pasta with onions, garlic, dried chilli and scoop out the seeds with a mortar and pestle. You may also grind the food prossesor.Sliced onion into rings. Soak acid slurry in water for 15 minutes.Acid flushed continuously to extract the flavor into the water.Drain and save juices sour pulp.Heat the oil in a pot and saute the ingredients are already dihalus right until fragrant.Add in the onion rings.Add just sour, salt and sugar Simmer on low heat until the sauce mengental.Sisihkan.Clean up small fish, cut in half and season with salt.Fry until golden color.Cut the cucumber into slices and then four to four small portion.Angat coconut steamed rice and pour some sambal ikan bilis on the rice.
cake Bahulu> Kuih Bahulu a traditional Malay food is usually very popular, especially on days off and the crowds.> Generally Bahulu cake comprised of three types of cake which is subject to a small Bahulu Bahulu, Bahulu Bahulu coating and roll. Bahulu Bahulu layer and roll a little hard to find at the supermarket for a traditional cake booked from the refinery.Ingredients:--6 Seed eggs--Gula kastor175g--Tepung Wheat 120g120g self-raising --Tepung--1 ½ tsp baking powder--1 Corn oil ½ large blade.Ways to make it:--Minyak Light baulu prints of the corn oil and menepatkannya in ketuhar at a temperature of 250 ° C. --Kocok Eggs and sugar with a hand beater power until the mixture is soft and smooth. --Ayak Both types of flour and riser powder into the egg mixture.
is a wooden house or a country house at a time before virtually no stranger to the Malays. But with the population now urbanized, crowded Malay children who no longer know whether the actual form features traditional wooden houses as well as how built without nails.In fact, long before the arrival of outside influence and forefinger moden, the population from the Malay and Orang Asli in Malay Peninsula Land and Sumatra, and the Bumiputra / Natives else in Borneo and other parts of the Malay world already has a system housing a sophisticated, beautiful and harmonious lifestyle and natural surroundings.When the Malays and Orang Asli in Peninsula, Sumatra and other islands usually develop sesebuah house (bungalow style) that is inhabited by a large family; sesetengah tribal leaders of Borneo is more fond of the concept of 'long house' which load the entire village! Ie, every family inhabiting the Courant as 'apartment' which are enumerated on each side, with anjung open before (called 'Ruai' in Sarawak) that connect all the units into a long building.Target material used was taken from natural sources may be renewed, the various types of wood-kayan, also the reed and rattan hinggalah to leaf midrib.Framework or structure houses also use system-penetrating perforation and pegs that do not require nails. Namely coaching Malay clapboard house actually is a system of post-ready. Then the house may also 'ditanggal-open' and in the original post elsewhere, just made by the Malaysian Heritage Board for Home Penghulu Abu Seman, who moved from the land of Kedah to Kuala Lumpur.In addition, the way the built without nails also make the home more springy (flexible), so that it is allowed to be appointed through 'gotong-royong' orangramai and transformed the place.Although the house is really not traditionally use a nail yet, but acknowledged THAT for newer wooden house, there are also elements instead of stuffing wall-like structure using nails.From the point of rekabentuk also, arguably Malay traditional houses highly sophisticated and load characteristics Bistari, again subject to the lifestyle of Glory by custom and nature.The characteristics of smart These include cooling or forced-semulajadi (natural ventilation), shading (shading), safety and security (safety and security) as well as 'kepersendirian' (privacy).Examples of the most striking properties in Malay tradition is that it's home was set on the pole. Various advantages arise from 'keterapungan' this; termasuklah circumvent the easy entry of wild animals, as well as raised from the level of flooding. The house is also cooler due to aeration at all Courant (from the top, and bottom edges). In addition, the empty space under the house (also called 'pods') into a suitable place to store all sorts of goods and utensils.Malay houses also selalunya terbahagi two Courant: the main one called 'house mother' (blessing in honor of the mother's role as manager of the home and family penyeri), while the second portion is the 'home kitchen'. Sequestration is also smart - selalunya fires occur from cooking fires; then if the kitchen on fire, more easily oversee certain sebahagian like house kitchen alone and also reduce the danger of Rumah Ibu flames quickly.If the house needs to be raised, structure 'Central House' also be coupled between the Mother House and Home Kitchen.Additionally, selalunya in front of the house there should be a floor lower portion of cedar Home Moms. It berbumbung but selalunya not walled, fenced only fringe (railings). It was called 'foyer', or 'lobby' at half the places on the East Coast. He became a mediator between the outside and inside the house to sit down to work, beristirehat or receive a guest who does not need to go into the house mother, that does not bother the family.Behind the house is also no 'mediator' which becomes wet or basuhan workplace, the same as the concept of 'work space' or 'work area' for modern apartments and houses.The house tradition was lifted on the pole to add aeration there are also various aperture styles, including the type of casement sependiri as 'French window', in order to enter the wind and light.With the various pieces of carving a hole in the wall not only as an ornament, but also to promote air and light came to cheer the house. Carving in the Malay houses berunsur geometric patterns or plant (no shades of fauna life ban because of religion), and many are very delicate pengukirannya.Tradition tube sealing material, which is woven like a nipa leaf midrib or the roof tiles of clay as it was called precarious 'Senggora' on the East Coast of the Malay Peninsula, also plays the role of soothing home. Unfortunately now this piece preferably zinc-crowded because it is cheap and happy mounted, but causes more berbahang and noisy home also during the rain.Bumbung Malay House was always kind of leaning to the suitability of the rainy weather the hot tropics (no tube flat or shallow), and there are two main categories: style "tube length '(gable) and both' waveguide five 'or' pyramid '(roof shield). Tube length is kind of easier, which is only one perabung forming triangular openings in both the tip that justify the installation of stocking cover the screen.'Bumbung five' is kind of the last five perabung (or also four perabung quick like pyramid structure like cottage waqf). More sophisticated, 'bumbung five' is coupled triangular structure on it and then called 'pyramid' (from the 'five golden' for a first period only house people are or magnifying berbumbung pyramid, and probably first used during the Sultanate of Johor-Riau).Two-two types of tube may give birth to what is nevertheless a combination of tube shapes that may be contemplated, and there is a place that has its own style of the roof like the roof Negeri Sembilan Minangkabau house (a kind of bezaan 'long tube'). Bumbung house tradition must also exist unjuran (overhang / overhangs) to shade from the heat and heavy rains. Along the banks of the tip of the tube is also always fitted bowsprit roof or 'beautiful board' engraved.Sesetengah house there is also a booth inside the hollow tube (ie such as the 'attic', sometimes called the 'attic' or 'Resilience'), Hatta made the house available on the pole was lifted into the house three levels. In fact there has been a long wooden palace which is fostered by about five or six levels, with any structure without a single nail. One beautiful example is the Istana Seri Menanti in Negeri Sembilan, Malaysia as well as in Sumatra, Borneo and Land Bugis, Sulawesi.Unfortunately, the building is as powerful as any of organic materials such as wood can not stand if it is not disenggara tidy. The board then heritage home will disappear without the formation of new original home, more so if the science senibinanya also missing from among the Malays.Most architects / jurubina local, in the draw and the pursuit senibina Western style, tradition built mengendahkan more knowledge. While the science is still capable of long senibina studied to provide advanced further settlement or suitability for life gayakini.MALAY TRADITIONAL MUSIC INSTRUMENTpsalteryPsaltery is a kind of stringed musical instrument that originated from the Middle East. In addition to stringed musical, other stringed instruments from the Middle East is a mandolin. Psaltery is a musical instrument played by plucking. This instrument has a function as a companion Zapin dance and song at the time held a wedding or event syukuran.Gambus is a musical instrument played by plucking. This instrument has a function as a companion Zapin dance and song at the time held a wedding party or celebration.This instrument is identical with songs that Islam breath. In accompanying singers, musical instruments is also accompanied by other instruments, such as Marwas to beautify the rhythm of song. The unique shape such as the shape of fruit squash or gourds (My) makes it easily recognizable. Gambus also considered important in Ghazal singing coming from the Middle East during the Malacca Sultanate. The arrival of the merchants of the Middle East at the Melaka Malay Sultanate era has brought their culture and introduce it to the public at Tanah Melayu.TAMBOURINEA brief history of the origins of musical instruments tambourine - Search arts and cultural dances with the keyword "brief history of the origins of musical instruments tambourine" found in suog.co. To search for information or historical articles in accordance with dances, folk songs, traditional musical instruments, culture, drawing, art, origins, origins, folklore you can write an existing keyword in the search field that is already available. With its growing internet technology, suog.co site strives to provide information relating to the history of the world, especially the arts. Suog.co sites have hundreds of articles art of dance and traditional musical instruments like "A brief history of the origins of musical instruments tambourine" which you make entries or reference materials science you.Photos musical instruments tambourineTambourine is one face that kind of drum used to accompany dances and folk songs, also called Adai-Adai by the community Brunei Malay descent in the area of Papar, Beaufort and Sipitang. Tambourine hit with one hand as well as the techniques used to tambourine contained in other syncretic musical ensemble. Blow tambourines and singing Adai-Adai held to celebrate the feast or welcoming the guest of honor. For the Bajau ethnic group, there is also a kind of tambourine (drum length) having one face. The drum is positioned upright on the floor and beaten by hand. This drum is usually used in the art of music Begins to play a rhythm pattern punch like Kedidi, Ayas and Tidong.In the community Brunei there is also a kind of small drum called drum labik and dombak, a type of drum one face. As for the people who live in Sabah Brunei, drum tambourine often called rempana.The shape of musical instruments tambourineTambourine is a circular drum and flat and made of a circular frame of wood turner. One side quilted goatskin on this part to be patted. Art in Malaysia, Brunei, Indonesia and Singapore are often put on the tambourine is a musical rhythm of the desert, for example, harp, Qasida and hadroh.In the State of Malaysia there is also a large tambourine named Rebana Ubi commonly played on feast days to bring into the sound and rhythm.In the area of south Asia covering Pakistan, India, Bangladesh, Maldives and surrounding areas are also very crowded art tambourine used. But the historical background, a variant of musical instruments and humming a bit much too different.Types of tambourineLarge tambourinePicture a large tambourineTambourine tambourine Great is one of the largest advance ever in the music of the Malay community. Wood or potted type is made of hard wood like merbau (sympetelandra) surface is sized in 80 cm - 100 cm in latitude, stretched with buffalo skin, to produce sound, also called sounding body. Rattan halved used as the primary acoustic material for the process of tightening of the skin and reinforced with wood that also serves as a means of balancing the tone. Painting motivated nature such as flowers tinged with various colors as symbols and aesthetic subtlety. In the context of the offering (the show), tambourine hit directly by the player's hand without using a club, to accompany the song of remembrance, which is the theme of religious messages and also social and cultural messages. Chant of remembrance Tambourine Big submitted chorus, a chorus by tambourine players who usually consists of three players in each group. Large Tambourine offerings are often held to enliven weddings and also welcoming a great day for the people in Kelantan, Malaysia. However, in the Kelantan state there is also a kind of folk music using musical instruments of the tambourine. This term is called Tambourine Ubi. Physically tambourine yam has the same shape as the tambourine large, but smaller in size and uses the same acoustic material in the manufacturing process to manufacture a large tambourine. Frame drum has a hole shaped like a cistern. But the magnitude of the surface has been covered with cowhide as a membrane or sound material. In the context of the offering (the show), potato tambourine hit with a hand or a club which is covered with a soft material such as rope, latex and so on. Yam offerings tambourine held to enliven a wedding or event. In the event, for example a match they will play songs inspired by music repertoire Wayang Kulit Kelantan as well as songs such as the compulsory song Sign Ward and so on. Each group of six players and three tambourines.tambourine bowlFigure tambourine bowlTambourine The bowl is also included in this type of drum that has only one membrane place to hit. Its frame is made from a bowl that is used to collect the milk sap. The bowls are usually made of clay. On the surface covered with several layers of latex as the material sounds using innuendo kaedah rattan and adhesives. To stressful layer of sap that was, two pieces of wood inserted berbaji contrary to the underside of the portion pertaining then be tightened. Berbaji this timber is functioning as a tuning tool with respect to the tambourine as also used for other instruments like the tambourine tambourine yam and so on. Tambourine bowl used to play songs such as the tambourine Ubi's repertoire of music entertainment for the local community. Tambourine is hit with a special piece of wood covered with sap. Tambourine bowl regarded as experimental musical instrument which enter into kategoti other traditional tambourine.Food MalaysLemak rice> Nasi lemak is a dish that is sold in Malaysia, Brunei, Singapore, and Southern Thailand. In Kuala Lumpur, it is called the national dish, the Malaysian national heritage. It is not to be confused with Nasi Dagang sale on the east coast of Malaysia or Terengganu and Kelantan although both of the plate should usually found sold side by side for breakfast. However, because flexibility is Nasi lemak in can be served in a variety of manners, now served and eaten any time of day. There is a similar dish in Indonesia called nasi Uduk.
> Traditionally, this came as a plate of food wrapped in banana leaves, with cucumber slices, small dried anchovies (ikan bilis), peanuts, hard boiled eggs, and hot spicy sauce (sambal) at its core. As the food was more substantial, nasi lemak may also come up with various other accompaniments such as chicken, squid, mussels, stir fry Convolvulus water (water spinach), vegetable pickles (achar), beef rendang (beef boiled in coconut water and spices) or pulmonary (lung ox). Traditionally most spicy accompaniment in nature.
> Nasi lemak is widely eaten in Malaysia, even as the dishes are served in schools Malaysia. Nasi lemak is the usual breakfast dishes, early sale at a roadside stall in Malaysia, where it is often sold wrapped in a letter khabar, brown paper or banana leaves. However, there are restaurants that serve it on a plate for lunch or at night, thus allowing for a dish to be eaten throughout the day. Nasi lemak intend fat steamed hot rice is another name given to nasi lemak served with hot rice.Ingredients:Rice:--Susu coconut--2 Cup rice--3 Pandan leaves--Salt to taste--1 Small tin of coconut milk (5.6 oz size)--Beberapa Water Tamarind juice:--1 Cup water--Asam Pulp (ping pong ball size small)Sambal ikan bilis:--½ Onion--1 Cup ikan bilis (dried anchovies)--1 Cloves garlic--4 Onions--10 Dried chili--1 Teaspoon belacan (shrimp paste)--¼ Tsp salt--1 Tablespoon sugarOther ingredients:--2 Boiled egg (cut in half)--3 Small fish (sardines or smelling of fish)--1 Small cucumber (cut and then four)Ways to make it:Wash and tariskan nasi.Tambahkan coconut milk, a little salt and water.Add pandan leaves into the rice and cooking rice.Rinse and drain the water dried anchovies.Fried anchovies so they turned brown and set aside.Mashed shrimp pasta with onions, garlic, dried chilli and scoop out the seeds with a mortar and pestle. You may also grind the food prossesor.Sliced onion into rings. Soak acid slurry in water for 15 minutes.Acid flushed continuously to extract the flavor into the water.Drain and save juices sour pulp.Heat the oil in a pot and saute the ingredients are already dihalus right until fragrant.Add in the onion rings.Add just sour, salt and sugar Simmer on low heat until the sauce mengental.Sisihkan.Clean up small fish, cut in half and season with salt.Fry until golden color.Cut the cucumber into slices and then four to four small portion.Angat coconut steamed rice and pour some sambal ikan bilis on the rice.
cake Bahulu> Kuih Bahulu a traditional Malay food is usually very popular, especially on days off and the crowds.> Generally Bahulu cake comprised of three types of cake which is subject to a small Bahulu Bahulu, Bahulu Bahulu coating and roll. Bahulu Bahulu layer and roll a little hard to find at the supermarket for a traditional cake booked from the refinery.Ingredients:--6 Seed eggs--Gula kastor175g--Tepung Wheat 120g120g self-raising --Tepung--1 ½ tsp baking powder--1 Corn oil ½ large blade.Ways to make it:--Minyak Light baulu prints of the corn oil and menepatkannya in ketuhar at a temperature of 250 ° C. --Kocok Eggs and sugar with a hand beater power until the mixture is soft and smooth. --Ayak Both types of flour and riser powder into the egg mixture.
Tari Serampang Dua
Belas
Gambar Tari Serampang Dua Belas
Asal Usul dan Sejarah Tari Serampang Dua Belas
Tari serampang dua belas adalah tari yang berasal dari daerah Kabupaten
Serdang Bedagai (dulu: Deli Serdang), Sumatera Utara. Tari ini
diciptakan oleh Sauti, seorang seniman tanah Deli pada tahun 1940-an.
Tari yang asal usul dan awalnya bernama tari Pulau Sari ini mengalami
arasemen gerakan di tahun 1950-an.
Tari serampang dua belas adalah sebuah tari kolosal yang menceritakan
sebuah perjalanan sepasang bujang gadis dalam menemukan cinta sejatinya.
Pada awalnya ia hanya boleh dimainkan para pria saja, namun seiring
perkembangan zaman para wanita pun akhirnya diizinkan untuk ikut
menarikan tarian yang penuh makna dan filosofi ini.
Asal Usul dan Sejarah Tari Serampang Dua Belas
Tari serampang dua belas saat ini umumnya dimainkan secara berpasangan
oleh pria dan wanita. Tarian ini bisa dimainkan dalam berbagai
kesempatan, baik ketika ada hajatan di kampung, dalam acara resmi
kenegaraan, hingga dalam festival-festival kesenian. Bukan hanya di
Kabupaten Serdang Bedagai, tari serampang dua belas saat ini juga sering
dipertunjukan oleh masyarakat di beberapa daerah di Indonesia, seperti
Jambi, Riau, Kalimantan, Sulawesi, hingga Maluku.
Tari serampang dua belas adalah aset bangsa yang tak boleh punah dan
dilupakan. Selain dapat menarik banyak wisatawan lokal dan mancanegara
untuk berkunjung, tari ini juga merupakan identitas keberagaman budaya
tanah air. Tari ini harus terus dilestarikan sehingga warisan nenek
moyang kita dapat terus turun temurun hingga generasi selanjutnya.
Musik Pengiring dan Gerakan Tari Serampang Dua Belas
Musik Pengiring dan Gerakan Tari Serampang Dua Belas
Secara umum, gerakan tari serampang dua belas memiliki kekhasan
tersendiri dibanding jenis tari adat lainnya di nusantara. Tarian yang
diiringi dengan musik tradisional ini, dari gerakan yang ditampilkan
sebetulnya merupakan satu keseluruhan cerita tentang pertemuan seorang
bujang dan gadis, rangkaian kisah cinta, hingga prosesi pernikahan.
Sesuai dengan namanya, tari serampang dua belas terbagi menjadi 12
gerakan tari yang dilakukan secara berkesinambungan. Keduabelas gerakan
tari yang dimainkan secara berpasangan oleh pria dan wanita tersebut
antara lain:
Gerak tari permulaan adalah gerakan tari yang menggambarkan
pertemuan seorang pemuda dan gadis yang masih malu-malu diselingi sikap
penuh tanya. Gerak ini dilakukan dengan berjalan lambat diselingi
lompatan kecil mengelilingi satu sama lain.
Gerak tari berjalan adalah gerakan yang menceritakan tentang
tumbuhnya rasa cinta dari sepasang muda-mudi, namun keduanya masih belum
berani mengungkapkannya perasaan tersebut satu sama lain. Gerakan ini
dilakukan dengan berjalan kecil, berputar dan berbalik.
Gerak tari pusing adalah gerak yang menceritakan sepasang muda-mudi
yang sudah semakin sering bertemu, perasaan cinta yang kian berkembang,
dan kegundahgulanaan di antara keduanya.
Gerakan tari gila adalah gerakan yang menceritakan sepasang muda
mudi yang sudah mabuk kepayang karena cintanya. Gerak ini dilakukan
dengan gerak terhuyung dan melenggak-lenggok seperti orang mabuk.
Gerakan tari berjalan sipat adalah gerakan yang menceritakan seorang
gadis yang berusaha mengutarakan rasa cintanya dengan cara memberi
isyarat tertentu. Gerak ini dilakukan dengan berjalan lenggak-lenggok
dan permainan tatapan mata.
Gerakan tari goncet-goncet adalah gerakan tari yang menggambarkan
seorang pemuda yang telah menerima isyarat dari si gadis untuk segera
dapat mengungkapkan rasa sukanya. Gerak tari ini dilakukan dengan
langkah seirama antara keduanya.
Gerakan tari sebelah kaki adalah gerakan tari yang menggambarkan
perasaan menduga-duga antara yakin untuk mengungkapkan cintanya atau
untuk mengurungkan niat. Di akhir gerakan, keduanya pun memperoleh
kesepahaman bahwa cinta mereka tak bertepuk sebelah tangan sehingga
mereka berdua bisa mulai merajut cinta hingga memasuki jenjang
pernikahan.
Gerakan tari langkah tiga adalah gerakan yang menggambarkan perasaan
tidak percaya dan usaha meyakinkan diri bahwa cinta muda-mudi itu
menemui jalannya. Gerakan ini dilakukan dengan melonjak atau melompat
tiga kali kedepan dan ke belakang atau maju mundur.
Gerak tari melonjak adalah gerakan tari yang menceritakan upaya si
pemuda dan si gadis dalam meminta restu orang tua. Gerakan yang
dilakukan sebagai simbol penantian jawaban ini dilakukan dengan
melonjak-lonjak.
Gerak tari datang mendatangi adalah gerakan yang menggambarkan
proses peminangan pihak keluarga si bujang terhadap keluarga si gadis.
Gerakan ini dilakukan dengan gerakan datang mendatangi antara 2 kelompok
penari.
Gerak tari rupa-rupa adalah gerakan yang menceritakan prosesi
mengantar pengantin ke pelaminan. Gerakan tari ini dilakukan dengan
suasana dan nuansa keceriaan
Gerak tari sapu tangan adalah gerakan penutup dari tari serampang
dua belas. Gerakan tari ini menceritakan tentang penyatuan dua hati yang
saling mencintai satu sama lain dalam sebuah ikatan pernikahan. Gerakan
ini dilakukan dengan menyilangkan sapu tangan sebagai tanda kedua
pasangan tidak bisa dipisahkan.
Secara lengkap keduabelas gerakan tari serampang dua belas tersebut
dapat Anda saksikan pada video yang saya sematkan berikut ini.
Properti dan Kostum Penari Serampang Dua Belas
Selama menari, para penari wajib mengenakan pakaian adat melayu.
Penggunaan pakaian adat ini memiliki 2 alasan utama yaitu, agar
pertunjukan tari semakin atraktif karena warna dan kekhasan pakaian yang
dikenakan, serta agar menjadi ciri dan penanda asal tari serampang dua
belas ini.
Properti dan Kostum Penari Serampang Dua Belas
Selain mengenakan kostum khusus dan beragam aksesorisnya, para penari
juga akan membawa secarik sapu tangan. Sapu tangan akan mereka gunakan
sebagai media pelengkap pada tarian penutup.
Nah, demikianlah pemaparan kami mengenai sejarah, asal usul, gerakan,
dan keunikan kostum tarian serampang dua belas. Semoga dengan adanya
artikel ini kita semakin menyadari pentingnya melestarikan kebudayaan
daerah kita agar jangan sampai ia punah ditelan sang waktu. Semoga
bermanfaat.
Sumber: http://kisahasalusul.blogspot.com/2015/09/mengenali-tari-serampang-dua-belas.html
Disalin dari Blog Kisah Asal Usul.
Sumber: http://kisahasalusul.blogspot.com/2015/09/mengenali-tari-serampang-dua-belas.html
Disalin dari Blog Kisah Asal Usul.
Tari Serampang Dua Belas
Sumber: http://kisahasalusul.blogspot.com/2015/09/mengenali-tari-serampang-dua-belas.html
Disalin dari Blog Kisah Asal Usul.
Sumber: http://kisahasalusul.blogspot.com/2015/09/mengenali-tari-serampang-dua-belas.html
Disalin dari Blog Kisah Asal Usul.
Asal Usul dan Sejarah
Tari Serampang Dua Belas
Tari serampang dua belas adalah tari yang berasal dari daerah Kabupaten
Serdang Bedagai (dulu: Deli Serdang), Sumatera Utara. Tari ini
diciptakan oleh Sauti, seorang seniman tanah Deli pada tahun 1940-an.
Tari yang asal usul dan awalnya bernama tari Pulau Sari ini mengalami
arasemen gerakan di tahun 1950-an.
Sumber: http://kisahasalusul.blogspot.com/2015/09/mengenali-tari-serampang-dua-belas.html
Disalin dari Blog Kisah Asal Usul.
Sumber: http://kisahasalusul.blogspot.com/2015/09/mengenali-tari-serampang-dua-belas.html
Disalin dari Blog Kisah Asal Usul.
Asal Usul dan Sejarah
Tari Serampang Dua Belas
Tari serampang dua belas adalah tari yang berasal dari daerah Kabupaten
Serdang Bedagai (dulu: Deli Serdang), Sumatera Utara. Tari ini
diciptakan oleh Sauti, seorang seniman tanah Deli pada tahun 1940-an.
Tari yang asal usul dan awalnya bernama tari Pulau Sari ini mengalami
arasemen gerakan di tahun 1950-an.
Sumber: http://kisahasalusul.blogspot.com/2015/09/mengenali-tari-serampang-dua-belas.html
Disalin dari Blog Kisah Asal Usul.
Sumber: http://kisahasalusul.blogspot.com/2015/09/mengenali-tari-serampang-dua-belas.html
Disalin dari Blog Kisah Asal Usul.
Tari Serampang Dua
Belas
Gambar Tari Serampang Dua Belas
Asal Usul dan Sejarah Tari Serampang Dua Belas
Tari serampang dua belas adalah tari yang berasal dari daerah Kabupaten
Serdang Bedagai (dulu: Deli Serdang), Sumatera Utara. Tari ini
diciptakan oleh Sauti, seorang seniman tanah Deli pada tahun 1940-an.
Tari yang asal usul dan awalnya bernama tari Pulau Sari ini mengalami
arasemen gerakan di tahun 1950-an.
Tari serampang dua belas adalah sebuah tari kolosal yang menceritakan
sebuah perjalanan sepasang bujang gadis dalam menemukan cinta sejatinya.
Pada awalnya ia hanya boleh dimainkan para pria saja, namun seiring
perkembangan zaman para wanita pun akhirnya diizinkan untuk ikut
menarikan tarian yang penuh makna dan filosofi ini.
Asal Usul dan Sejarah Tari Serampang Dua Belas
Tari serampang dua belas saat ini umumnya dimainkan secara berpasangan
oleh pria dan wanita. Tarian ini bisa dimainkan dalam berbagai
kesempatan, baik ketika ada hajatan di kampung, dalam acara resmi
kenegaraan, hingga dalam festival-festival kesenian. Bukan hanya di
Kabupaten Serdang Bedagai, tari serampang dua belas saat ini juga sering
dipertunjukan oleh masyarakat di beberapa daerah di Indonesia, seperti
Jambi, Riau, Kalimantan, Sulawesi, hingga Maluku.
Tari serampang dua belas adalah aset bangsa yang tak boleh punah dan
dilupakan. Selain dapat menarik banyak wisatawan lokal dan mancanegara
untuk berkunjung, tari ini juga merupakan identitas keberagaman budaya
tanah air. Tari ini harus terus dilestarikan sehingga warisan nenek
moyang kita dapat terus turun temurun hingga generasi selanjutnya.
Musik Pengiring dan Gerakan Tari Serampang Dua Belas
Musik Pengiring dan Gerakan Tari Serampang Dua Belas
Secara umum, gerakan tari serampang dua belas memiliki kekhasan
tersendiri dibanding jenis tari adat lainnya di nusantara. Tarian yang
diiringi dengan musik tradisional ini, dari gerakan yang ditampilkan
sebetulnya merupakan satu keseluruhan cerita tentang pertemuan seorang
bujang dan gadis, rangkaian kisah cinta, hingga prosesi pernikahan.
Sesuai dengan namanya, tari serampang dua belas terbagi menjadi 12
gerakan tari yang dilakukan secara berkesinambungan. Keduabelas gerakan
tari yang dimainkan secara berpasangan oleh pria dan wanita tersebut
antara lain:
Gerak tari permulaan adalah gerakan tari yang menggambarkan
pertemuan seorang pemuda dan gadis yang masih malu-malu diselingi sikap
penuh tanya. Gerak ini dilakukan dengan berjalan lambat diselingi
lompatan kecil mengelilingi satu sama lain.
Gerak tari berjalan adalah gerakan yang menceritakan tentang
tumbuhnya rasa cinta dari sepasang muda-mudi, namun keduanya masih belum
berani mengungkapkannya perasaan tersebut satu sama lain. Gerakan ini
dilakukan dengan berjalan kecil, berputar dan berbalik.
Gerak tari pusing adalah gerak yang menceritakan sepasang muda-mudi
yang sudah semakin sering bertemu, perasaan cinta yang kian berkembang,
dan kegundahgulanaan di antara keduanya.
Gerakan tari gila adalah gerakan yang menceritakan sepasang muda
mudi yang sudah mabuk kepayang karena cintanya. Gerak ini dilakukan
dengan gerak terhuyung dan melenggak-lenggok seperti orang mabuk.
Gerakan tari berjalan sipat adalah gerakan yang menceritakan seorang
gadis yang berusaha mengutarakan rasa cintanya dengan cara memberi
isyarat tertentu. Gerak ini dilakukan dengan berjalan lenggak-lenggok
dan permainan tatapan mata.
Gerakan tari goncet-goncet adalah gerakan tari yang menggambarkan
seorang pemuda yang telah menerima isyarat dari si gadis untuk segera
dapat mengungkapkan rasa sukanya. Gerak tari ini dilakukan dengan
langkah seirama antara keduanya.
Gerakan tari sebelah kaki adalah gerakan tari yang menggambarkan
perasaan menduga-duga antara yakin untuk mengungkapkan cintanya atau
untuk mengurungkan niat. Di akhir gerakan, keduanya pun memperoleh
kesepahaman bahwa cinta mereka tak bertepuk sebelah tangan sehingga
mereka berdua bisa mulai merajut cinta hingga memasuki jenjang
pernikahan.
Gerakan tari langkah tiga adalah gerakan yang menggambarkan perasaan
tidak percaya dan usaha meyakinkan diri bahwa cinta muda-mudi itu
menemui jalannya. Gerakan ini dilakukan dengan melonjak atau melompat
tiga kali kedepan dan ke belakang atau maju mundur.
Gerak tari melonjak adalah gerakan tari yang menceritakan upaya si
pemuda dan si gadis dalam meminta restu orang tua. Gerakan yang
dilakukan sebagai simbol penantian jawaban ini dilakukan dengan
melonjak-lonjak.
Gerak tari datang mendatangi adalah gerakan yang menggambarkan
proses peminangan pihak keluarga si bujang terhadap keluarga si gadis.
Gerakan ini dilakukan dengan gerakan datang mendatangi antara 2 kelompok
penari.
Gerak tari rupa-rupa adalah gerakan yang menceritakan prosesi
mengantar pengantin ke pelaminan. Gerakan tari ini dilakukan dengan
suasana dan nuansa keceriaan
Gerak tari sapu tangan adalah gerakan penutup dari tari serampang
dua belas. Gerakan tari ini menceritakan tentang penyatuan dua hati yang
saling mencintai satu sama lain dalam sebuah ikatan pernikahan. Gerakan
ini dilakukan dengan menyilangkan sapu tangan sebagai tanda kedua
pasangan tidak bisa dipisahkan.
Sumber: http://kisahasalusul.blogspot.com/2015/09/mengenali-tari-serampang-dua-belas.html
Disalin dari Blog Kisah Asal Usul.
Sumber: http://kisahasalusul.blogspot.com/2015/09/mengenali-tari-serampang-dua-belas.html
Disalin dari Blog Kisah Asal Usul.
Tari Serampang Dua
Belas
Gambar Tari Serampang Dua Belas
Asal Usul dan Sejarah Tari Serampang Dua Belas
Tari serampang dua belas adalah tari yang berasal dari daerah Kabupaten
Serdang Bedagai (dulu: Deli Serdang), Sumatera Utara. Tari ini
diciptakan oleh Sauti, seorang seniman tanah Deli pada tahun 1940-an.
Tari yang asal usul dan awalnya bernama tari Pulau Sari ini mengalami
arasemen gerakan di tahun 1950-an.
Tari serampang dua belas adalah sebuah tari kolosal yang menceritakan
sebuah perjalanan sepasang bujang gadis dalam menemukan cinta sejatinya.
Pada awalnya ia hanya boleh dimainkan para pria saja, namun seiring
perkembangan zaman para wanita pun akhirnya diizinkan untuk ikut
menarikan tarian yang penuh makna dan filosofi ini.
Asal Usul dan Sejarah Tari Serampang Dua Belas
Tari serampang dua belas saat ini umumnya dimainkan secara berpasangan
oleh pria dan wanita. Tarian ini bisa dimainkan dalam berbagai
kesempatan, baik ketika ada hajatan di kampung, dalam acara resmi
kenegaraan, hingga dalam festival-festival kesenian. Bukan hanya di
Kabupaten Serdang Bedagai, tari serampang dua belas saat ini juga sering
dipertunjukan oleh masyarakat di beberapa daerah di Indonesia, seperti
Jambi, Riau, Kalimantan, Sulawesi, hingga Maluku.
Tari serampang dua belas adalah aset bangsa yang tak boleh punah dan
dilupakan. Selain dapat menarik banyak wisatawan lokal dan mancanegara
untuk berkunjung, tari ini juga merupakan identitas keberagaman budaya
tanah air. Tari ini harus terus dilestarikan sehingga warisan nenek
moyang kita dapat terus turun temurun hingga generasi selanjutnya.
Musik Pengiring dan Gerakan Tari Serampang Dua Belas
Musik Pengiring dan Gerakan Tari Serampang Dua Belas
Secara umum, gerakan tari serampang dua belas memiliki kekhasan
tersendiri dibanding jenis tari adat lainnya di nusantara. Tarian yang
diiringi dengan musik tradisional ini, dari gerakan yang ditampilkan
sebetulnya merupakan satu keseluruhan cerita tentang pertemuan seorang
bujang dan gadis, rangkaian kisah cinta, hingga prosesi pernikahan.
Sesuai dengan namanya, tari serampang dua belas terbagi menjadi 12
gerakan tari yang dilakukan secara berkesinambungan. Keduabelas gerakan
tari yang dimainkan secara berpasangan oleh pria dan wanita tersebut
antara lain:
Gerak tari permulaan adalah gerakan tari yang menggambarkan
pertemuan seorang pemuda dan gadis yang masih malu-malu diselingi sikap
penuh tanya. Gerak ini dilakukan dengan berjalan lambat diselingi
lompatan kecil mengelilingi satu sama lain.
Gerak tari berjalan adalah gerakan yang menceritakan tentang
tumbuhnya rasa cinta dari sepasang muda-mudi, namun keduanya masih belum
berani mengungkapkannya perasaan tersebut satu sama lain. Gerakan ini
dilakukan dengan berjalan kecil, berputar dan berbalik.
Gerak tari pusing adalah gerak yang menceritakan sepasang muda-mudi
yang sudah semakin sering bertemu, perasaan cinta yang kian berkembang,
dan kegundahgulanaan di antara keduanya.
Gerakan tari gila adalah gerakan yang menceritakan sepasang muda
mudi yang sudah mabuk kepayang karena cintanya. Gerak ini dilakukan
dengan gerak terhuyung dan melenggak-lenggok seperti orang mabuk.
Gerakan tari berjalan sipat adalah gerakan yang menceritakan seorang
gadis yang berusaha mengutarakan rasa cintanya dengan cara memberi
isyarat tertentu. Gerak ini dilakukan dengan berjalan lenggak-lenggok
dan permainan tatapan mata.
Gerakan tari goncet-goncet adalah gerakan tari yang menggambarkan
seorang pemuda yang telah menerima isyarat dari si gadis untuk segera
dapat mengungkapkan rasa sukanya. Gerak tari ini dilakukan dengan
langkah seirama antara keduanya.
Gerakan tari sebelah kaki adalah gerakan tari yang menggambarkan
perasaan menduga-duga antara yakin untuk mengungkapkan cintanya atau
untuk mengurungkan niat. Di akhir gerakan, keduanya pun memperoleh
kesepahaman bahwa cinta mereka tak bertepuk sebelah tangan sehingga
mereka berdua bisa mulai merajut cinta hingga memasuki jenjang
pernikahan.
Gerakan tari langkah tiga adalah gerakan yang menggambarkan perasaan
tidak percaya dan usaha meyakinkan diri bahwa cinta muda-mudi itu
menemui jalannya. Gerakan ini dilakukan dengan melonjak atau melompat
tiga kali kedepan dan ke belakang atau maju mundur.
Gerak tari melonjak adalah gerakan tari yang menceritakan upaya si
pemuda dan si gadis dalam meminta restu orang tua. Gerakan yang
dilakukan sebagai simbol penantian jawaban ini dilakukan dengan
melonjak-lonjak.
Gerak tari datang mendatangi adalah gerakan yang menggambarkan
proses peminangan pihak keluarga si bujang terhadap keluarga si gadis.
Gerakan ini dilakukan dengan gerakan datang mendatangi antara 2 kelompok
penari.
Gerak tari rupa-rupa adalah gerakan yang menceritakan prosesi
mengantar pengantin ke pelaminan. Gerakan tari ini dilakukan dengan
suasana dan nuansa keceriaan
Gerak tari sapu tangan adalah gerakan penutup dari tari serampang
dua belas. Gerakan tari ini menceritakan tentang penyatuan dua hati yang
saling mencintai satu sama lain dalam sebuah ikatan pernikahan. Gerakan
ini dilakukan dengan menyilangkan sapu tangan sebagai tanda kedua
pasangan tidak bisa dipisahkan.
Secara lengkap keduabelas gerakan tari serampang dua belas tersebut
dapat Anda saksikan pada video yang saya sematkan berikut ini.
Properti dan Kostum Penari Serampang Dua Belas
Selama menari, para penari wajib mengenakan pakaian adat melayu.
Penggunaan pakaian adat ini memiliki 2 alasan utama yaitu, agar
pertunjukan tari semakin atraktif karena warna dan kekhasan pakaian yang
dikenakan, serta agar menjadi ciri dan penanda asal tari serampang dua
belas ini.
Properti dan Kostum Penari Serampang Dua Belas
Selain mengenakan kostum khusus dan beragam aksesorisnya, para penari
juga akan membawa secarik sapu tangan. Sapu tangan akan mereka gunakan
sebagai media pelengkap pada tarian penutup.
Nah, demikianlah pemaparan kami mengenai sejarah, asal usul, gerakan,
dan keunikan kostum tarian serampang dua belas. Semoga dengan adanya
artikel ini kita semakin menyadari pentingnya melestarikan kebudayaan
daerah kita agar jangan sampai ia punah ditelan sang waktu. Semoga
bermanfaat.
Sumber: http://kisahasalusul.blogspot.com/2015/09/mengenali-tari-serampang-dua-belas.html
Disalin dari Blog Kisah Asal Usul.
Sumber: http://kisahasalusul.blogspot.com/2015/09/mengenali-tari-serampang-dua-belas.html
Disalin dari Blog Kisah Asal Usul.
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