The capital of Aceh is Banda AcehAceh
(Dutch: Atchin or Acheh, English: Achin, French: Achen or Acheh,
Arabic: Asyi, Portuguese: Achen or Achem, Chinese: A-tsi or Ache) is now
known as the province of Nanggroe Aceh Darussalam cultural
roots languages of the language family Monk Khmer proto-Malay with a
regional breakdown of other languages such as the southern part uses
language Aneuk Jame while the Central, southeast, and east uses language
Gayo to the southeastern part of the language Alas beyond the eastern
further east languages Tamiang
as an ethnic group, which is the southern part Klut uses language Klut
while in Simeulue Simeulue language but each local language can also be
divided into dialects. Acehnese language, for example, is speaking with a slight difference in Aceh Besar, Pidie, and Aceh Utara. Similarly,
in languages there Gayo Gayo Lut, Gayo series, and dialects Gayo Lues
and other ethnic groups that are part of southeast Singkil (Tanoh Alas)
using language Singkil. Other
historical sources can be obtained among others from the saga as Aceh,
Aceh and tattoo saga saga sabii prang derived from oral history which is
then generally written in Jawi script texts (Jawoe). However, as the weakness of the historical narrative based pinutur turns out, according to Prof. Ibrahim
Alfian that the text Hikayat Holy War has many versions and with one
another there is a difference as well as the Holy War saga manuscript
version in 1710 which is located in the library of the University of
Leiden in the Netherlands. Aceh
early in anthropology source mentioned that the origins of Aceh from
the tribe mantir (or in the Acehnese language: Mantee) which is linked
with Charm in Malacca which is part of the nation Mon Khmer (Khmer
Monk). According
to oral history other sources mentioned that especially the population
of Aceh Besar residence in the village which is also called the hometown
Seumileuk Rumoh Two Blaih (village Rumoh 12), located above the village
Seulimeum Jantho with Tangse. Seumileuk means the vast plains and mantir then spread throughout the valley Aceh three terms and then move to other placesBudayaPengelompokan
culture within a culture based on the four division (Kawom) or also
referred to as tribes (sukee) follows the search, among others through
the ancient language; Culture Lhee Reutoh (clan / tribe three hundred) from the culture Mantee as a native. Culture Imuem Peut (clan / tribal priest four) originating from southern India are Hindu. Culture Toll Batee (clan / tribe sufficient stone) which came later from various ethnic Eurasian, East Asian and Arab. Tok Culture Clothing (clan / tribe or raised) that the Hindu immigrants who had converted to Islam. In the overall culture of the above applies to him as the mention of Aceh ureung meaning people of Aceh.MusicTraditional Musical Instruments AcehTraditional musical instrument is a tool used to accompany a traditional activity in a certain area. Aceh traditional musical instruments means instruments used for event-specific way in the tradition of the people of Aceh. This instrument became an identity and pride ureueng Aceh.As for the Acehnese traditional musical instruments include:Serune KaleeSerune
Kalee is a traditional wind instrument Aceh which is a kind Clarinet
mainly located in Pidie, North Aceh, Aceh Besar and Aceh Barat. It is made of wood, the base of the small and large at the edges resembles a funnel. At the base there is disc retaining lips blowing brass called perise. This Serune has 7 pieces pit regulator of tone. In
addition there are 10 bond layers of brass and copper called Klah
(ring) and serves as a security against the possibility of cracked /
broken the serune body. This tool is typically used together with the drum clan Rapai in ceremonies or in accompanying traditional dances.Drum (Geundrang) drum found in almost all regions of Aceh. Drum
serves as a traditional musical instrument, which together with wind
instruments seurune Kalee accompany any traditional dances both in
ceremonies and rites Iainnya. It is made of jackfruit wood, goat skin and rattan. Making the drum is to perforate the jackfruit wood such that the cylindrical drum body resembles bambam. On
the surface of the circle (left-right) mounted goatskin, who previously
created the rings of rattan with a size just like the size of the drum
circle. As the brace / strap worn leather surface fasteners are also made of leather. This rope drum skin that connects the right with the left. Staves (sticks) drum is also made of wood that is inflated at the end of the part that was hit to the skin.CanangCanang is a traditional percussion instruments contained in a group of people of Aceh, Gayo, and Alas Tamiang. The
people of Aceh called it "Canang Trieng", Gayo-called "Teganing", in
Tamiang called "Harp" and in Alas-called "Santol Sports". It is made of bamboo seruas options were quite old and well. Then the bamboo is a hole, then ditoreh lengthwise direction to get the rope. Hole found on the bamboo segment called kelupak (Alas and Gayo). Number of the string is not the same in every region. In
Canang Trieng there are 5 pieces of rope (string) ie 4 pieces located
adjacent to each other on the left, while a rather large again lies in
the right hole. Ropes left are picked using a stick, while the right hand strap plucked with the fingernails / left thumb. There are three-stringed lute pieces and there were 4 pieces. While
Santol Sports has 4 to 5 pieces, each of which rope was given its own
name that is gong (ropes near keleepak), level (1 or 2 pieces of rope
which was situated in the middle) and gerindik (rope most delicate /
high voice), plucked with a thin bamboo that has been sharpened. In teganing there are 3 of the most thin straps located rightmost and leftmost rudest lies. Each rope is called in sequence by the name of cymbals, and gongs Memong. How to play teganing is to hit the rope with a wooden bat called peguel.RapaiRapai is a kind of traditional musical instrument Aceh, as well as the drum. Rapai made of hard wood (usually from stem jackfruit) were rounded up and given a hole in the middle. Wood that has been given this hole called baloh. Baloh is larger at the top than the bottom. The top covered with goat skin while the bottom is left open. Clamp voltage regulator leather or leather made of rattan wrapped with leather. (This brace in the Acehnese language called sidak). Rapai
used as percussion instruments at ceremonies mainly related to
religions, marriage, birth and traditional games that whistle. Rapai plays by smashing it with his hands and is usually played by a group (group). Leaders Rapai game called Sheik or kalipahDanceTribe dances Acehdance LaweutLikok Pulodance PhoDance Ranup LampuanDance Rapai GelengDance Rateb MeuseukatDance ratoh Duekdance SeudatiDance Tarek seinesGayo tribe danceSaman dancedance Binesdance DidongTari Gueldance MunaluDance Me Down Aih AunenOther Tribe dancesUla-ula Dance Lembingdance MesekatTraditional clothes
Custom homeConfidence of individuals or communities and the natural conditions in which individuals or communities live has a significant influence on the architecture of the building, home, made. This can be seen in the architecture Rumoh Aceh, Province of Aceh, Indonesia. Rumoh Aceh is home to a high stage with a pole between 2.50 to 3 meters, consisting of three or five spaces, with one main room is called propagation. Rumoh with three rooms has 16 poles, while Rumoh with five rooms has 24 poles. Modification of three to five rooms or vice versa can be done easily, simply add or remove parts that are to the left or right of the house. This section is called sramoe likot or back porch or portico and sramoe reunyeun bertangga, where the entrance to the house is always in the east.The main door Rumoh Aceh is always lower than the height of an adult. Usually the height is only measuring 120-150 cm so that every person who enters the house should be lowered. However, once inside, we will feel very airy room in the house because there was no furniture in the form of a chair or table. Everyone sits cross-legged on a mat Ngom (a type of material that grows in the marsh reeds) is coated mats.Rumoh Aceh is not only shelter, but an expression of belief in God and the adaptation to environment. Therefore, through Rumoh Aceh we can see the culture, lifestyle, and values that are believed by the people of Aceh. Adaptation to the environment can be seen from the Rumoh Aceh shaped stage, ang buffer pole made of solid wood, the walls of the board, and the roof of thatch. Exploiting nature can also be seen when they want to combine parts of the house, they do not use nails but using pegs or straps from rattan. Although only made of wood, thatched palm leaf, and do not use nails, Rumoh Aceh can last up to 200 years.Effect of conviction of the Acehnese to the house shape can be seen in the house is always elongated from east to west, which is the front facing east and the inside or back of the sacred is in the west. Toward the west because they want to build an imaginary line with the Kaaba in Mecca. In addition, the influence of belief can also be seen in the use of its supporting poles were always an even number, office number is always odd, and the steps that odd number.Aside from being a manifestation of people's beliefs and adaptation to the environment, Rumoh Aceh also shows social status. The more ornate the Rumoh Aceh, then surely the richer inhabitants. For families who do not have excessive wealth, then simply with decoration relatively little or even none at all.As the times are demanding all the things done effectively and efficiently, and the increasingly high cost of manufacture and maintenance Rumoh Aceh, then gradually fewer and fewer people in Aceh build traditional houses. As a result, the number of Rumoh Aceh increasingly little. People prefer to build modern houses made of concrete manufacture and procurement of materials are easier than Rumoh Aceh, whose creation is more complicated, more difficult material procurement and maintenance costs are more expensive. However, there are also people who love the architectural heritage of their ancestors made Rumoh Aceh attached to their concrete house.Rumoh Aceh is the embodiment of the values of life and run by the people of Aceh. Therefore, preserving Rumoh Aceh means preserving the existence of the people of Aceh. The idea of preservation Rumoh Aceh will increasingly find momentum after the tsunami that hit Aceh on taggal December 26, 2004. After the tragedy of natural disasters, a variety of people from many nations come not only brought relief but also brought a tradition that does not necessarily match the values that flourish in Aceh.Traditional weaponRencong is the traditional weapons of Aceh, its shape resembles the letter L, and when viewed closer forms is writing bismillah calligraphy. Rencong included in the category of a dagger or a knife (not a knife or sword). Besides rencong, the people of Aceh also has several other unique weapons, such as siwah, geuliwang and peudeueng.Rencong have such a resemblance with a dagger. Long dagger blade can vary from 10 cm to 50 cm. Matau can be curved knife like a dagger, but in many rencong, can also be straight as a sword. Rencong put the dagger in a sheath made of wood, ivory, horn, or sometimes silver or gold metal. In nature, rencong inserted between the belt in front of the abdomen of the user.Rencong have tiers; for the king or sultan usually made of ivory sheath and blade of gold and engraved sekutip holy verses of the Koran of Islam. While rencong rencong usually made of buffalo horn or wood as a sheath, and brass or white metal as a dagger. As confidence in the Java community kris, a traditional Acehnese people connect with the mystical powers rencong weapons. Rencong still used and worn as a fashion attributes in a traditional ceremony Aceh. The people of Aceh believe that the shape of a dagger represents the symbol of basmalah of Islamic religious beliefs. Rencong so popular in Aceh so that the Acehnese people is also known as the "Land Rencong".
Custom homeConfidence of individuals or communities and the natural conditions in which individuals or communities live has a significant influence on the architecture of the building, home, made. This can be seen in the architecture Rumoh Aceh, Province of Aceh, Indonesia. Rumoh Aceh is home to a high stage with a pole between 2.50 to 3 meters, consisting of three or five spaces, with one main room is called propagation. Rumoh with three rooms has 16 poles, while Rumoh with five rooms has 24 poles. Modification of three to five rooms or vice versa can be done easily, simply add or remove parts that are to the left or right of the house. This section is called sramoe likot or back porch or portico and sramoe reunyeun bertangga, where the entrance to the house is always in the east.The main door Rumoh Aceh is always lower than the height of an adult. Usually the height is only measuring 120-150 cm so that every person who enters the house should be lowered. However, once inside, we will feel very airy room in the house because there was no furniture in the form of a chair or table. Everyone sits cross-legged on a mat Ngom (a type of material that grows in the marsh reeds) is coated mats.Rumoh Aceh is not only shelter, but an expression of belief in God and the adaptation to environment. Therefore, through Rumoh Aceh we can see the culture, lifestyle, and values that are believed by the people of Aceh. Adaptation to the environment can be seen from the Rumoh Aceh shaped stage, ang buffer pole made of solid wood, the walls of the board, and the roof of thatch. Exploiting nature can also be seen when they want to combine parts of the house, they do not use nails but using pegs or straps from rattan. Although only made of wood, thatched palm leaf, and do not use nails, Rumoh Aceh can last up to 200 years.Effect of conviction of the Acehnese to the house shape can be seen in the house is always elongated from east to west, which is the front facing east and the inside or back of the sacred is in the west. Toward the west because they want to build an imaginary line with the Kaaba in Mecca. In addition, the influence of belief can also be seen in the use of its supporting poles were always an even number, office number is always odd, and the steps that odd number.Aside from being a manifestation of people's beliefs and adaptation to the environment, Rumoh Aceh also shows social status. The more ornate the Rumoh Aceh, then surely the richer inhabitants. For families who do not have excessive wealth, then simply with decoration relatively little or even none at all.As the times are demanding all the things done effectively and efficiently, and the increasingly high cost of manufacture and maintenance Rumoh Aceh, then gradually fewer and fewer people in Aceh build traditional houses. As a result, the number of Rumoh Aceh increasingly little. People prefer to build modern houses made of concrete manufacture and procurement of materials are easier than Rumoh Aceh, whose creation is more complicated, more difficult material procurement and maintenance costs are more expensive. However, there are also people who love the architectural heritage of their ancestors made Rumoh Aceh attached to their concrete house.Rumoh Aceh is the embodiment of the values of life and run by the people of Aceh. Therefore, preserving Rumoh Aceh means preserving the existence of the people of Aceh. The idea of preservation Rumoh Aceh will increasingly find momentum after the tsunami that hit Aceh on taggal December 26, 2004. After the tragedy of natural disasters, a variety of people from many nations come not only brought relief but also brought a tradition that does not necessarily match the values that flourish in Aceh.Traditional weaponRencong is the traditional weapons of Aceh, its shape resembles the letter L, and when viewed closer forms is writing bismillah calligraphy. Rencong included in the category of a dagger or a knife (not a knife or sword). Besides rencong, the people of Aceh also has several other unique weapons, such as siwah, geuliwang and peudeueng.Rencong have such a resemblance with a dagger. Long dagger blade can vary from 10 cm to 50 cm. Matau can be curved knife like a dagger, but in many rencong, can also be straight as a sword. Rencong put the dagger in a sheath made of wood, ivory, horn, or sometimes silver or gold metal. In nature, rencong inserted between the belt in front of the abdomen of the user.Rencong have tiers; for the king or sultan usually made of ivory sheath and blade of gold and engraved sekutip holy verses of the Koran of Islam. While rencong rencong usually made of buffalo horn or wood as a sheath, and brass or white metal as a dagger. As confidence in the Java community kris, a traditional Acehnese people connect with the mystical powers rencong weapons. Rencong still used and worn as a fashion attributes in a traditional ceremony Aceh. The people of Aceh believe that the shape of a dagger represents the symbol of basmalah of Islamic religious beliefs. Rencong so popular in Aceh so that the Acehnese people is also known as the "Land Rencong".
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